Pipe Dreams
Here are selected portions of a conversation Dawn and I recently had online.
Leidio: yeah dude...that's the epicenter of the east village.
Leidio: tompkins square park is where all the shit goes down.
Leidio: and stuyvessant town is down there--infamous projects.
Leidio: i fuckin' hate new york.
Leidio: it's so miserable to live in.
SaturnLeia: yeah, I know
Leidio: people there are in systemmatic denial
Leidio: how's ryan liking it?
SaturnLeia: I don't think I could move there, even though I love it
Leidio: the city you visit is not the city you call home.
SaturnLeia: she likes it, but then she wasn't under any delusions when she moved there--she knew it wasn't going to be all roses
SaturnLeia: it can be really isolating
Leidio: it changes face in stark contrast.
SaturnLeia: yeah
SaturnLeia: well, I think it'd be cool to live there, but it would be even harder to do music
SaturnLeia: totally oversaturated, and the audiences are ADD
SaturnLeia: much better to tour through and visit
Leidio: why would it be cool to live there
Leidio: ?
SaturnLeia: there are certain areas I really like, and the city has a lot of energy
Leidio: so do most cities.
SaturnLeia: for example, Clinton Hill or the Eurpean-ish area I mentioned
SaturnLeia: I know
Leidio: you should visit boston...talk about european-ish.
Leidio: but you're expressing a major perturbance of mine (nothing personal)....
Leidio: and that is
SaturnLeia: there's so much art going on, and a lot of places to do the kinds of things I'm interested in even in ministry, in terms of bringing art and faith together
SaturnLeia: I really want to visit Boston
Leidio: the inability of americans to understand and appreciate the american city. we're don't have european urbanism nor do we fuckin' want it.
SaturnLeia: I think I'll move to Chicago though, although it doesn't look like the greatest place to work on music either
SaturnLeia: I appreciate the American city
Leidio: but i thought art occurs everywhere. you know, the shakers merged art, worldview, lifestyle, and faith without new york.
SaturnLeia: I didn't like that area because it was European, I liked it and it reminded me of Europe
SaturnLeia: two different things
SaturnLeia: definitely
SaturnLeia: it's just a critical mass--or in New York's case, an oversaturation
Leidio: sure, but the same desire...the same totem, the same pipe dream, mirage, daydream, the same phenomenological desire.
SaturnLeia: really if I was putting music above all other considerations, I'd move somewhere on the East Coast, by upstate New York
SaturnLeia: it's the best place to be in terms of being able to tour easily to lots of places
Leidio: now you're talkin.
SaturnLeia: but I do want to go a big city, at least for a while
SaturnLeia: though I think one of the reasons I like Evanston is that it's kind of like Ann Arbor, but it's by Chicago
Leidio: art comes out of place. new york has turned its back on place, instead asserting place as its received discombobulation.
SaturnLeia: yeah, too many people there are obsessed with seeming avant garde
SaturnLeia: Ryan and I talked a lot about that too
Leidio: I will presume to bet that you like (and that I like) Evanston because it's definition of place is the 'critical mass' of urbanism at a human scale that coexists with an identity of landscape as well as a clear structure for social and communal interaction.
Leidio: all of these things New York lacks.
SaturnLeia: she loves to do video dance, and did before finding out that it was the "in" thing to do--but now you get so many people doing multimedia with dance that it's become something that people throw in--the video, I mean--just because rather than because they're trying to really use it to make a statement of significance
SaturnLeia: yeah
SaturnLeia: I think my ideal is a managable mid-sized city bordering a large one
Leidio: they're obsessed with the avant-garde because they have no worldviews. because they go to new york to deny their boring upbringings and expectations, but realize that they have no substance to actual deny. the whole thing is angst--it's a contrived pipe dream in which there is no other recourse but to repeat the thing that lacks definition (the avant-garde) because there's nothing actually definitive to rail against.
SaturnLeia: ah, but they aren't even railling against anything usually even in theory--it's just that video dance is cool and new, so everyone's flocking to it
Leidio: you said it: cambridge, ann arbor, evanston, east lansing, annapolis...
SaturnLeia: as Ryan put it, "If I see one more piece with TV static I think I'm going to scream"
Leidio: but that's my point...they have nothing to rail against because their lives have no substance. so they just repeat the thing that lacks definition (the avant-garde)
SaturnLeia: yeah, unfortunately Ann Arbor and East Lansing aren't bordering the cities I find interesting in terms of what's going on
SaturnLeia: as much as I love Detroit
SaturnLeia: it's on the up, but it's not quite the place I want to be -- that and I need to get out of the state
Leidio: dude, Lansing is a freaking' mine waiting to be opened.
SaturnLeia: heh
Leidio: it will just take people that aren't air-heady artsy types to do it.
Leidio: it will take critical criticism, a standpoint on culture, a goal that isn't an art-world free-for-all.
SaturnLeia: do you really think Lansing can go anywhere interesting?
SaturnLeia: it seems like in state the place that's going to happen is Detroit
SaturnLeia: but it'll need a lot of intrastructure and perserverance
Leidio: but dawn, maybe it's the kind of place you should be. if not you, who? that's just the trouble...everybody wants to live the pipe dream.
Leidio: Lansing has already been a successful city in its history.
SaturnLeia: I feel like I'm already living a pipe dream--I may end up getting a full-time job so I can support the music
Leidio: it's beed a lack of infrastructure, actually. rip up the freeways. detroit thrived before freeways existed. they will be dinosaurs in the next 30 years anyway.
SaturnLeia: no kidding
Leidio: you're already living the pipe dream?
Leidio: how?
SaturnLeia: heh, the starving artist thing is always a pipe dream
SaturnLeia: trying to make a living at performing
SaturnLeia: it's a different one than rebuilding a city
SaturnLeia: can't live too many pipe dreams at once
SaturnLeia: one is already definitionally unstable
Leidio: but it's only recently a pipe dream. the history of the 'starving artist' is one contrived in after the war and recast into the years preceding it.
SaturnLeia: how so?
SaturnLeia: I don't know that the arts have ever been particularly stable
Leidio: it's not a different task...rebuilding cities takes people making a living doing what they do.
SaturnLeia: yes, but if you're not making a living...
Leidio: au contraire the arts have been mostly stable throughout history.
SaturnLeia: I don't know though, one of the ways that a few cities have been revitalized is artists moving in
SaturnLeia: so many it's not so crazy, it's just not something I feel passionate about
Leidio: then you can branch out, and fulfill another need in the city...like a place for other performers, a place for a pragmatic need, like bread and sewing thread, a place to buy coats and umbrellas, nuts, toys, etc.
SaturnLeia: I feel like in the last 50 years or so there's definitely become a larger gap in terms of money--the little indie people at the bottom barely eeek out a living while the people at the top just rake it in
Leidio: artists moving in has only signified that change is possible. really, they're guinea pigs for developers.
SaturnLeia: lol
Leidio: hello dawn...that's what the entire world is becoming.
Leidio: let me tell you this...
SaturnLeia: I know, it's the story of everything these days
SaturnLeia: rich richer, poor poorer, and it's probably not going to change for the better
Leidio: Albert Bierstadt, the famous and important 19th-century American landscape painter, used to sell his paintings while starting out my ficitonalizing the place-names of his pieces to provoke a sense of ownership in his buyers of the still-mythic American frontier.
Leidio: What he did so well was to make his art relevant to the disposition of cultural stories--and myths--at large. but he didn't cater to them, nor did he create them. he simply reiterated their content. his paintings did this as well.
SaturnLeia: hmm, so are we looking for people to do this now in other media?
Leidio: in all things. our 'work' should emergently reiterate our story as a culture.
SaturnLeia: I think one of the cool things about Sujian Stevens is that he is creating art specific to places, but it still has broad appeal
SaturnLeia: it's the opposite of the pop music that is so general as to become irrelevant
SaturnLeia: but you could argue that our work automatically reiterates our story, and the proliferation of the pop crap--in many disciplines--also says something, perhaps that we want amnesia
Leidio: right! sufjan is at the vanguard, and he's not an avant-gardist nor an esoteric. he's at the vanguard while creating according to grounding asepct of life that we have otherwise denied and forgotten at large...landscape, memory, history, place, ethics, identity, knowing, heritage.
Leidio: but is amnesia what we really ought to value?
Leidio: i think we both know--no.
SaturnLeia: we shouldn't value it, but as a culture we're celebrating it
SaturnLeia: I'm kind of inspired by what he's doing
Chanson d'Installation: Danny Boy
Tuesday, October 25, 2005
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